Nanette – Page 12 – NanetteSewZ

Learn by doing

I’m almost finished with “Knock, Knock” the swamp quilt.

The last few days I’ve been doing a lot of heavy quilting. There’s no going back now. I have a couple more hours of quilting to do on it…then it’s time for cutting it down to size and putting a facing on it (finishing the edges). Barring any unforeseen circumstances, I think I should have that completed today. I can’t believe I’m finally saying that! Yee Haw.

It’s kind of crazy working in textile arts, be it sewing, knitting, embroidery, or whatever. We have to work so close to our creations. We see things differently at the 10-12″ view of our work than when we do at the actual viewing distance (about 3-4 feet or more).

When I was quilting this piece, I decided on the thread colors of the swampy water and how close I wanted to make each quilted line. I set to work quilting the lines back and forth. I felt good about it. Midway along I put the piece on my design wall and thought “oh my.” I probably didn’t need to get the lines that close and the thread colors blend more closely to the fabric than I thought they would. Seeing it hang on the wall, I’m still very please with the results…so that’s a good thing. It just made me realize I probably put more work into it than necessary.

What I’ve “re-learned,” is that close up details (or even mistakes for that matter) frequently aren’t noticeable from a distance. We need to give ourselves a break from being critical about what we see up close, because it may not be noticeable at 3 feet away. Step away from your work every now and then. Don’t sweat the small stuff and learn by doing.

Trust me, it’s big

I feel like I’m moving like molasses in January. I have been putting a lot of hours into the quilt hanging on my design wall, titled “Knock, Knock. Who’s There?” This quilt is huge, that’s half my battle. When I make a quilt I usually create the background fabric much larger than I need it. That’s why I can’t tell you how big it will be. I’m guessing somewhere around 40″ wide x 60″ tall.

The other aspect of what I’m doing … that takes time … is all the layering. I create one layer, work to get it right and then it’s time for the next layer. What I posted last week was 2 layers, I made the trees and added some shading. The shading was done with Shiva Paintsticks (which is oil paint in stick form). It takes a 24 hours for the paint to cure and become permanent.

This week, I added some tulle to create the waterline on the trees and some highlights to the swampy water. Today I securely stitched down the trees and tulle to my batting layer. This took a few hours. The birds are yet another layer to this quilt, because I had to stitch down the trees before I could add them. Last week I made the birds and today they are now glued forever to the quilt.

Progress? yes. Molasses in January? Most definitely.

I’m getting closer to the part I enjoy most, the machine quilting and thread painting. I have to add some more details to this monster (more layers) and then it will be ready for the long arm machine. Yay, it’s getting there! Just in baby steps. Once the quilting is finished I’ll be able to cut it down to size and let you know how big it really is. Right now trust me, it’s big.

Good karma following along with me

I’ve been in my studio a lot the last week. I’m trying to create a regular work habit. I’m under pressure to get some new pieces finished for an upcoming show in November, so there’s no time to waste. I’ve put priorities in place and that’s helping me keep focused. I’m seeing results and that’s helping me be motivated.

My art is comprised of a lot of phases. It’s never as easy as saying, well let me throw this together. I get an idea and know what I want it to look like, but how it gets there is always process. For example, the piece that is currently on my design wall is pretty large. I’m working on a forest scene. I could slap some fabric down and have you imagine that they are trees, but I want it to be more realistic. I need to work on the shading. I have lots of options. That’s were things get interesting and challenging.

I never choose the same option. On the parakeet quilt I just finished, I used colored pencils for shading. I love working with them, but had a couple glitches I didn’t expect. Fortunately, I was able to recover from the issues and I’m happy with the final outcome. The glitches do put me in a panic, because they could turn into a irreversible catastrophe.

The current piece I’m working on also needs some shading. Because of it’s size, I decided to use Shiva paintstiks and a stenciling technique to add depth. On this too, I stumbled with a few glitches, but in the end I’m good with it. Another catastrophe diverted.

Of course there’s more to this quilt than just a couple of grey trees. In the foreground of the photo, you’ll see a paper cutout that I used to find the right proportions for an ivory-billed woodpecker who is going to play in these woods. Layer upon layer, the design forms. Each step, I get to choose the options to create what I envision. But with each step, I’m also at risk of another irreversible catastrophe. It is harder to recover from these on larger pieces, there are a lot of hours invested in what you see. There’s a lot more hours ahead. After each layer, I pat myself on my back and get ready to move forward. I’m ready to move forward on this piece…and looking to good karma following along with me.

Respite is over

Happy Wednesday! (or what ever day you happen to stop by)

It’s been a month since I’ve written, one very long month. There was a lot of things going on that I couldn’t control. It took everything I had to get through each day, some days were worse than others. But here I am, 30 days later, and the universe hasn’t destroyed me. I view myself as a fighter, a tough kid born and raised on the south-side of Chicago. Sometimes even the strong have to step back from life, focus on the moment, and gain energy so they can move forward again.

These last several weeks, I couldn’t move forward, so I just stepped back to regain my energy. So here I am today, ready to put on the boxing gloves and take back my life.

During my time away, I also took time to reflect on my future. What do I want? Where do I want to go? I realized in order to keep moving in the right direction, I had to let go of excess baggage. I resigned from a volunteer job that I thought I wanted to do and suddenly I see so many opportunities available to me. Lots! of opportunities, because I’m putting my personal and professional interests first. Something I haven’t done in several years. What a relief to make this decision! There is more weight that has to go, but I’m still working out those ideas. Always a journey for me, always new opportunities.

Ok now, where are my scissors? It’s time to dust off the sewing machine. I’m ready for this. The respite is over.

Dense with vegetation

There’s a new quilt on my design wall this week. I started it a while back, but decided to abandon it until I got the Sweet16 up and running. After finishing the Carolina Parakeets, I believe I’m ready for this one now. I estimate that it will have a finished size somewhere around 40″ x 60″.

All the fabric trees have been cut and ready to fuse to the background. After the trees are in place, I’m adding depth and 3-D shading using tulle (aka bridal veil), a trick I learned early in my quilting career.

I used to work full-time as a freelance technical editor. A lot of the tools I have in my “tool box” were gleaned from editing other people’s books. The very first book I edited was Joyce Becker’s Beautifully Embellished Landscapes. During the editing process, I had to read through Joyce’s book several times. With that much review, stuff is bound to stick in your head.

Tulle is a wonderful medium to create transparent shading effects on fabric. If you need to make something in your landscape look darker (or lighter) , just sew a layer of dark (or light) colored tulle on top of the fabric. That’s what I need to do next; I only have 3 shades of tree fabric and need to add some dimension to the scene.

In real life, the color value of a landscape scene gets lighter the farther it is from you. For example, when you see mountains, the peaks farthest away from you are usually lighter (smokey looking) compared to those in the foreground. When you’re looking at a landscape in real life, it’s the light from the sky and sun that creates this faded coloration. On the other hand, when you’re in the midst of a dense forest, the vegetation adds shadows and darkens the background. So do I want my forest to have light coming from the horizon or appear dense with vegetation?

5 ft-wide Wingspan

The parakeets are coming along nicely. All the thread work and quilting was accomplished using my HandiQuilter Sweet16 sewing machine. I am so grateful for having been awarded the grant to purchase this machine. I really has made creating large quilts so much easier.

I’ve debated about posting a final picture of the parakeets here. I’ll probably do that eventually, but most likely closer to my November show at the Arts Council. I’m pretty proud of what I’ve done on this one. But, unfortunately, you’ll have to wait a little bit for the reveal.

As soon as the “keets” are done, I’ll be on to the next pieces. One was inspired by a photograph taken of an osprey by my friend, Brady. Brady is a phenomenal wildlife photographer. He provided the inspiration for my “Fireline” quilt I made a few years ago.

For “Fireline”, Brady had the photo and I rendered it in fabric. This time, I had the idea and asked Brady if he had a photo that would help me accomplish my idea. I’m so happy to be working with his imagery again…can you imagine a 5-foot wide wingspan?

Making Progress

I‘m still trying to make progress on the Carolina Parakeet piece. Unfortunately, I’ve had some interference with my time, but I’m doing my best to keep focused. I thought for sure this quilt would be done right now. So close…yet far enough away that I feel a bit frustrated.

I was talking to a friend this morning and reminded her that she was indeed making progress on something she was working on. The progress was just taking longer than she expected. —Ah, just another validation that talking out loud sometimes solidifies your own thoughts. — I too must remember I am making progress.

I’m happy where this is art quilt is going. I’m sharing a comparison photo that clearly shows I’m getting somewhere. The birds and branches are all detailed and I’m working on filling in the background with quilting. This is taking time, however…

The good news is that I’m creating dense quilting. Something I’ve wanted to do in the past, but just struggled doing on my domestic sewing machine. My Sweet16 sewing machine, with its sweet 16″ neck opeing, is making my work so much easier. I can sew and sew and sew and sew without having to re-adjust the bulky quilt so frequently. Makes me very happy.

The bad news is I’ve developed a muscular strain in my back and neck which is causing me great discomfort sitting. I’m working on resolving the issue, but I’m still limited to just short runs at the machine. Again, the key is patience, I am making progress.

Are you listening?

Sometimes talking to people about your plans and goals helps solidify them. It’s easy to think about what you want to do; dream a little. But, I often find that I don’t feel solid about my plans. Should I really be doing this or that? It’s difficult to place a finger on the right answer. Then, I talk to someone about it all. I say the words out loud and it’s like, Bam!, “why the heck didn’t I see that?” I know what I was thinking, but it didn’t seem like solid advice until I said it out loud.

I have a few friends that get me thinking like this. When we have our talk therapy sessions, they ask just the right questions which force me to give them a self-motivating answer. They’re not telling me what to do, however, by answering their question I have to stop, think and rationalize my response. My answer forces me to be accountable, because the response isn’t just in my head anymore…it’s been expressed in the spoken word. I’ve placed it into the universe for others to see.

Last week I was faced with this situation. My friend asked, “what are you trying to get from traveling this path as an artist?” or in other words, “why am I pursing being an artist?”

I’m sure, depending on the person, this questions could be answered in many different ways. I know I like making art; I always have. I don’t really expect to get rich selling my work. I feel the need to make it, but why? I surely have thought about it before, but no one ever really asked me before. “Why are you doing this?”

I could have taken a lot of time to ponder the question, but what surprised me was how quickly I answered. I told her “I want to be heard.” The answer bubbled out of me in a way that took my breath away. That’s it! I have something to say. My artwork is no longer art for art’s sake, there are messages behind it.

As I am working in my studio, preparing for the November exhibit, I have stories in my head. I visualize these narratives and take time to render the image using cloth. This is what drives me to continue, I want to share stories with you…are you listening?

Stay tuned

Last week I mentioned that I had been working on a few pieces that were experimental play, where I could focus on a specific technique and work out the bugs. I have another one to show you.

Awhile back, I posted sketches for a quilt I was planning to make (see the story here). I took the sketches and used them as templates to make fabric birds. Although the fabric birds have been done for awhile, I was hesitant to move forward with my idea. I have never thread painted birds and I wasn’t sure how that would work out. If I composed the design on a large (finished-sized) background and then did my thread work, I would be in a world of hurt if I messed things up (that dreaded point of no return again). I was intimidated to move forward until I finally figured out how to get past this hurdle. Then I got an idea…

I am involved in a monthly mixed-media art exchange with 10 other artists. The intent is for each of us to create a book of artwork. We each submitted guidelines on what we wanted for our books, e.g., theme and page size/orientation. The challenge coordinator gave us a schedule of who we will be creating a book page for each month. Then, every month for ten months, I create a piece for someone and someone creates a piece for me. It’s fun!

For May, my artist had a theme of “birds,” size 8″x10″, and vertical orientation. Ah-Ha! Since my birds were the right size, I could test my thread painting technique on Leni’s page. Yep, I used this small quilt to help me gain confidence to proceed with the larger quilt.

I am pleased with the results. Currently, I’m auditioning backgrounds for the large quilt where 7 happy Carolina Parakeets will be hanging out. Things won’t be exactly the same on the larger quilt, but testing the technique allowed me to know what will and won’t work on a larger scale. Stay tuned…

It’s a win-win process

I’m trying to get into the swing of things. In some respects, it seems like I’m just playing around. The last couple of weeks I’ve been working on smaller pieces that had other purposes. I have to keep reminding myself that I’m not wasting time.

A friend of mine told me how she always made a smaller version of her work before she tackled the bigger quilts. For most of my projects, the components can get very small, even on a large scale art quilt. I couldn’t imagine rendering the image down smaller than they already are. The pieces would just be too teeny to work with.

The pieces I’ve “played” with the last couple weeks are like technique snapshots. I am experimenting with different techniques to see how the process would work on a larger scale. Happily, I have had several “ah-ha” moments.

It’s always kind of scary to make art using cloth. In the early stages of development, you can rip things out and start over. But, as you add more and more layers of fabrics and thread, the point of no return becomes really obvious. Painters can scrap an entire canvas by slapping a coat of gesso on it, then start over. Textile artists don’t have that luxury, the materials are usually lost. If we’re lucky they can be re-purposed, but frequently they’re only worthy of the trash. Starting over is also risky because you may not have any more of the precious “sky” fabric that worked so well the first round. We must do every thing we can to avoid disaster, because there’s no going back.

That’s why, testing out a technique is important. If I can get a technique down on a small project, it makes my attempts on the big project more likely to succeed.

Last week, I explained one experiment I had with the Cameo Silhouette. While working through that process, I created a piece called “Crepe Myrtles” (click here to read about the process). I sent it to SAQA (Studio Art Quilt Associates — www.saqa.com ) this week to use for their annual benefit auction (fyi- you’ll be able to bid on it this fall). You see, I wasn’t wasting time. I was learning and exercising my creative muscles. And in the end, it’s a win-win process for me, SAQA and maybe you if you plan to bid on it.