What I make will disappear

Creative Goddess by Nanette S. Zeller. Created spring 2010/disassembled 2014

I wonder why people create. I’ve been thinking a lot about this lately. There are some of us who create for the pure joy of making something, there are others who make to give away, there are some who create things to make a statement, and even people who create hoping to be seen.

Recently I’ve been making art quilts which are meant to be statements pieces. In making my art I’ve also realized I do it to be seen. It may sound a little narcissistic, but why else would you put in a purposal for a solo show or enter an art exhibit? You obviously have something you want people to see otherwise you’d keep it from hanging in public view.

Some of this for me is also about leaving a legacy. When I die only 2 things will remain: one is people’s memories of me as the person and the other is any object I’ve created. Memories fade fast, but material objects created by a person can last a very, very long time.

Have you ever watched the Antiques Roadshow? On the show, people bring in their “finds” and are educated about the object. I am always so fascinated when the expert starts sharing the history of the people who created the piece. I’ve seen it with paintings, furniture, jewelry, and all sorts of objects. They tell stories about the object and stories about the creator. Sometimes the expert can recite facts from over 100 years ago. How exciting that the artisan is still being remembered for what they did so very long ago. There’s a legacy.

Do I really expect my work to last centuries? No, absolutely not. I use textiles. There are things I can’t control about longevity. I’ve seen quilts from the last century made from beautiful silks or cute little calico prints which have disintegrated over time. They didn’t know back then that some of the dyes which colored the fabrics would eat away at the fibers or would fade so badly that a bright red fabric would turn tan.

We’re much more cautious now and the textile industry tests their products. Do I really know for sure that the materials will survive 100 years or more? No. Sunlight can be suicide to any fabric (I keep my textile pieces stored in a dark closet). I can only hope that the fusible products, synthetic adhesives, fixatives and starches, or even the dyes in the fabrics don’t contribute to decomposition. But really, I don’t stress about these things.

As much as I would love to think that 100 years from now one of my art quilts will be considered a prize possession, I know that’s unlikely. I do take caution in what I use. I don’t knowingly do things that will damage my art, but I don’t obsess about the archival quality of a product I’m using. Like a memory, I know in time what I make will disappear.

 

Never too late to learn

I have always enjoyed learning.  Learning doesn’t always have to mean learning a physical or intellectual skill. Sometimes you can learn about yourself and what works for you.

For example, the past several months I’ve been working on and blogging about a new art quilt inspired by a visit to Muir Wood National Monument. This piece is huge and, at times, a little unruly. Two weeks ago, I found that I was getting very frustrated with the progress of this piece. Because I really wanted to get it finished, I kept trying to plug along with it.

Every piece I make is unique and requires different techniques to accomplish my vision, therefore I’m not very systematic about what I do. As I progressed on this piece, I realized I was super tense working on it. Little obstacles kept appearing that made me re-think my path forward. During my most intense frustration, I posed a question to an online group asking them what they do when they feel this way: “Do you keep going and fight through the frustration?”  or, “do you call a time out, put it away and start working on something else?” I got mixed responses, but most seemed to agree walking away was a good choice.

I’ve always tried to drive on, but this time I had other small projects I could work on to allow a temporary break from the large quilt. This week I put the Muir quilt under the needle again. Its amazing how my attitude has changed. I’m once again excited about stitching on this quilt top. I learned something new about my creative self – stepping away is a good thing. Sometimes deadlines keep me from having this luxury but, I also don’t think I do my best work when I’m stressed. With this experiment I learned something new about myself: I can and should take a break when I need it.

Knowing how you work and what you need to succeed is owning a very valuable tool for your productivity.  Do you pay attention to your feelings when you work? You know, it’s never too late to learn.

Are you ready to fail?

I’ve noticed people struggle to accept failure. I don’t like to give up, but I’ve experienced a lot of failures in my life. There are times I feel down about my failures, especially after investing a lot of time and energy into something. I’m very aware that not accepting failure causes me anxiety.

Being a recovering perfectionist, I’m keenly aware when the perfectionist starts taking control of me. I tense and become frustrated, but I know failure doesn’t necessarily mean something bad. Sometimes failure just “is” … something to accept, then move on.

In my artwork, I try to quickly recover from (repair) things that go wrong. Sometimes, its not possible. Maybe a piece of art isn’t meant for public consumption. Maybe, the process of creating is really what I’m meant to do.

As I continue my journey, I am willing to accept failure. It doesn’t need to control me or leave me obsessed about what it could have been. As I look at where I am today, I am more confident about myself than ever. I know what’s in my control and what’s not. I can look back at my life and see opportunities that didn’t become much of anything. And, I can also see nothing much that turned into something big. In retrospect, all those pieces, the failures and successes, have provided me with a tremendous amount of tools to drive forward. Sometimes it may take time to actually appreciate how valuable that lesson in failure was to your current success.

After years in college, I never did find gainful employment in any of my academic studies. … So … I’m not, the wildlife biologist I had hoped to be, but its still part of who I am in very important ways. Those formative years made me better at learning and observing which are integral to being the artist I am today.

I’m grateful for the failures, because I wouldn’t be who I am if everything always went as planned. My confidence has grown, because after failing, I stood back up. It’s all about an attitude of acceptance. You make some bad art, so what? You didn’t get in the exhibit you submitted to, don’t sweat it! You can learn from these things. Are you ready to fail?

 

 

Progress

I’m working on the thread painting stage of my latest quilt. Here’s a view of the back.

I’m not too concerned about how pretty it looks from this side, because in a little bit I will be covering it up with the batting layer and backing fabric. Once that’s finished you’ll never see this view again.

This quilt has been a bit of a challenge (sometimes they behave that way). While I was working on the foliage, I noticed something visually happening with the background. It truly bothered me, so I had to think about it for awhile. What do I about that issue? Hmm?

I don’t make cookie-cutter quilts designs. Its layer, upon layer of processes. Each quilt deserves a different treatment because I’m trying to represent different subject matter. You just can’t build a tree the same way you build a bird.

Some of my techniques are similar, but I’m literally winging it on every quilt. That’s why it takes me so long sometimes to complete these larger pieces. I have to look at what I’ve done and figure out how to do what’s next.

The good news is I’ve moved passed the tree foliage and I’m working on texturizing the tree trunks with thread painting. The problem has apparently been solved for now. Progress.

 

Your own satisfaction

Today I went had an artistic play date. In town, we have a local movie theater which plays artistic films and produces music and theater events. Its one of the cool things about this town.

Today the theater played the biographical documentary “Vincent van Gogh: A New Way of Seeing.” I guess I should have paid more attention to my art history, but van Gogh’s story was somewhat of a mystery to me.

I knew van Gogh’s iconic artwork; his self-portraits, “Sunflowers,” and “Starry Night.” I didn’t know how tortured his life history was. Sadly he only sold very few pieces of his art while he was alive. But, he was loved and cared for by his brother, Theo. If it wasn’t for Theo and his wife, Johanna, Vincent may have never had such fame.

The story was timely because, lately I’ve been thinking about artist drive and muse.  What drives people to create? Today, Vincent would have been classified manic-depressive and his treatment would have been different than it was in the late 1800’s. I wonder, if Vincent was alive today, would his medical treatment have interfered with his creative drive? We will never know.

I guess my take home lesson from my outing today is that there’s a reason we have artistic energy.  If we’ve found our muse, then we should create our art. It doesn’t matter what the obstacles are. Its important to embrace the energy, if only for your own satisfaction.

 

That’s OK

These human-created ideas of time elude me. Sometimes I feel like I’m just whirling through the galaxy. Occasionally, I’ll stop and think, “What happened to April?” or “Is today really Wednesday … already?” or “Did I really just spend 3 hours doing bookkeeping?”

In my life, I’ve experienced days that feel like they just would not end. Occasionally, that’s because the situation is horrible and I just want to move on. Other times, its because I realize I did a ton of things and notice there’s still plenty more time to continue enjoying the day. Ahhhh, … time … sometimes I love you and sometimes I hate you.

What challenges my acceptance is when I know I’m working non-stop, yet, have little to show for it. I guess we all want to see quick results, but I know that’s not reality. Today, I look at the scraps on my cutting board and see the energy laying there. The bits remind me to accept that time moves slow. I know eventually I’ll be on to something new. For now, it just is and that’s OK.

 

Where you’re going

I’m on a roll with my latest artwork.  Trees are positioned and its time to add the foliage. This is a bit tedious, because I’m not using a pattern. The tree trunks were cut from a pattern, but the deep groves and foliage are being free-form cut, positioned in place and then fused. Once I have all the greenery in place, I’ll start the thread work. I will quilt and stitch the layers together adding dimension with free-form machine embroidery. Still quite a bit to do, but I can see the progress.

Life is like that. Progress may not be quick, but as along as you keep working at it you’ll see the changes. Never give up, because little by little, you’ll eventually get to where you’re going.

Looking for more

I’m working on a group challenge this year that is forcing me to look at the details of an object.  So, what do I really see when I see something? There are a number of ways that I look closer at an object.

Sometimes I do it with binoculars. I see the birds at the bird feeder and pull out the binocs to look at the details of the wings or feather coloration. Today, I saw a bird fluttering about the feeder and I wasn’t sure, but thought I was seeing blue. With the aide of the binoculars, I clearly saw that it was a male indigo bunting. That was exciting to to see and felt like I’d won a prize.

Another way I see details is to plop myself on the ground and look close. Frequently, as I sit on the ground, I’ll use my cellphone camera to take micro shots of tiny objects. I get as close as I can and zoom in. Its amazing the fine detail you can see with these photos.

Once I have a good image, I’ll look for more details by zooming in on it with photo editing software. For example, this week I opened up a photo of a Monarch butterfly that I took several years ago. I zoomed in and cropped the photo to show just a portion of the full image. I find it interesting because you see things that you might not normally see.

I printed the cropped image on photo transfer paper, then applied it to fabric. I guess I could have moved on from there, but the process of stitching the image forced me to look even closer at the details. As I stitched, I paid close attention to the shapes, lines, and colors in the wing. So many layers of detail. As I delve deeper into this project, I realize I am consciously and unconsciously looking for more.

Being true to my creative self

Frequently, I’m asked “How long did it take to make that?” I really wish I knew. Sorry, but I don’t time myself, it could be very depressing to know. When people ask, I usually answer them with the amount of time its taken from inspiration to completed quilt. This literally could be years. I think what they really want to know is how many hours it took me from cutting the first piece of fabric until I stick the label on the back and hang it. That’s much more difficult to quantify without timing myself along the way.

However, the other day, I was working on a new piece (I blogged about weeks ago) and I happened to notice that I spent nearly 3 hours cutting and positioning little bits of black fabric. I took a picture of my progress. Great! I’m half-way through this step! … right? ….uhm?

I left it alone overnight and when I looked at it the next day I knew I couldn’t live with it. Something wasn’t right, so I referred to my reference photos. Sure enough, I couldn’t live with what I had done (you may not even see the difference in the 2 photos).

My saving grace was that the black bits where only pinned to my design wall. Sometimes, I’m not so cautious and fuse (glue) the pieces in place without giving the design some space to percolate in my brain. Once something is fused I’m usually stuck. I either a) live with it, b) come up with plan B to fix the issue, or c) scrap it and start over.

I’ve blogged about the “point of no return” that I frequently face when I create my art quilts. There are layers and layers of process in my pieces. Literally, each step could lead to fatality. This is one reason I may step away until I feel emboldened to tackle the next step.

With this new piece, I re-grouped and fixed the problem. I’m much happier with where its going, but many hours later I’m not much farther along than I was a few days ago. There’s still plenty of work to do. I’m really OK with this, its how I do things. The finished piece has to fit what’s in my head, otherwise what’s the point of making it?

I do, however, have a problem with the fixation on time. I really don’t care how long it took me. That’s not why I’m doing this. I try to work faster/smarter, but I also work very hard at not beating myself up about it. I’ve accepted, this is how I create. Anything else is not being true to my creative self.

Being part of this tribe

I’m back from an amazing couple of days with my “tribe.” I am an active member and volunteer for SAQA (Studio Art Quilt Associates). Last week they held their annual conference in San Antonio, TX and I had the opportunity to attend. This was the 3rd conference I attended. I enjoy going because I reconnect with friends from all over the world. There’s also a ton of inspiration packed in those 4 days.

It is so rewarding to be around people who get what you’re doing and support you. That’s what a tribe is. A tribe can be your family or friends or professional acquaintances. SAQA is my art quilt tribe. I find it inspiring to share ideas with people who are on the same journey.

I also have another tribe which includes local friends who are passionate about the longleaf pine ecosystem. Because I was in San Antonio, I missed the Opening Reception for “Palustris” and missed meeting with this tribe. However, I did get to visit the exhibit earlier this week. It is so fun to walk into an art gallery and see how all the art work is displayed. The combination of pottery, mixed-media, photography, drawings, poetry and an art quilt works well with this theme. The earthy colors are warm and comforting. I am so honored to part of this exhibit and love being part of this tribe.

 

PALUSTRIS: Celebrating Longleaf Through the Arts
Arts Council of Moore County
Campbell House Galleries
Southern Pines, NC 28387

Exhibit Dates:  April 6-27, 2018
Opening Reception: April 6  from 6 to 8p
Gallery Hours:  Weekdays / 9a to 5p
Weekend Dates:
Saturday, April 14 (10a to 4p) – So. Pines House & Garden Tour
Saturday, April 21 (10a to 3p) – Party for the Pine
Saturday, April 21 (4-8p) – After-Party for Party for the Pine