All the things you love

“Tournesol” (means turns with the sun) by Nanette S. Zeller

Only a few more days until the new year is here. Its all coming together — the holidays, the new year, and my fast approaching birthday. I spend a lot of time this time of year reflecting, but I’ve also stepped back and took a break these last couple months. I’m finding myself feeling anxious to get started in my studio again. I haven’t seen my studio very much the last 2 weeks and I think my sewing machines miss me. Well, at least, I’m missing them. We have a home improvement project planned for the rest of the week, so the machines will have to remain on vacation a few more days. Hang on 2017, we’re almost there.

This coming year, I really want to get focused on a number of things with my art career and keep the machines humming. I know my biggest struggle is time. I guess we all have that issue because our lives are so full; family, friends, work, hobbies, staying connected, managing the household, paying the bills…it all takes time.

I’ll keep it short today and wish you happy new year. Thank you for following me on my journey and, in this upcoming new year, I hope you find time for all the things you love.

Plans for the new year

This past Saturday, we took down the Paper, Canvas, Cloth exhibit. It was a successful show. The gallery noted that a number of people return 2 and 3 times. The greatest success is that each of each sold artwork. That’s the point isn’t? If you’re a professional, you enter shows so you can sell. It’s always sad to take a show down, it reminds me that everything is so temporary.

There are 10 more days until the start of the new year. This time of year, I always spend a lot of time reflecting. I remember all that I’ve done, successes and failures, plus the good and bad. But I also spend a great deal of time contemplating what I’ll do in the upcoming year.

I have several plans that I need to start implementing. My biggest goal for 2017 is financial. This year, as I prepared for Paper, Canvas, Cloth, I took a hiatus from many things that generated income. But I also stepped away from many extracurricular obligations that took up a lot of my time. The frame work is set for me to do some great things. The only thing holding me back is myself.

I always find it interesting to reflect. To think about where I was 12 months ago and what I’ve accomplished. But I’m also eager to get moving onto new things. Have you started thinking about your plans for the new year?

Bad art

While pondering my plans for the upcoming year, I started thinking… “What do I do with the ‘bad art’ I created?”

Now don’t get in an uproar, if you’re an artist, you know you sometimes make bad art. Most of us also are in a constant state of evolution. So something you made 2 years ago, may not necessarily be really “bad” but it doesn’t fit who you are anymore. It’s like that geek who’s hanging out with the jocks; the outliers uncomfortably stand out in a crowd.

So what do you do about it? People who paint on canvas can easily slap a coat of gesso on un-favored artwork and start over. There’s even evidence that Leonardo Da Vinci did this. But what if your work isn’t so easy to make a new? What do you do? This has been my dilemma. I have a pile of things that needs to go…but where? I’ve had the pieces for a number of years and they haven’t sold. I know why, too. ~smirk~

I have been known to have a sacrificial fire in the yard when we’re burning yard waste. You can’t keep everything, so making it turn to ashes puts the energy back into the universe. This might be a bit extreme for some people.

Some of the pieces I culled have a potential to be cut-up into small squares and set aside to be re-assembled and re-purposed. Maybe I could make them into small coin purses?

Frequently charities look for donated art for fund-raising events (silent auctions, door prizes, etc). I’ve done this a few times, but isn’t always the best way to go. One thing I don’t like is that the IRS only allows artists to deduct the cost of materials, not labor or the saleable price. A tax deduction for a tube of paint and a yard of cloth…just seems like too much effort to track for the amount of benefit it would have on my tax returns. Another thing about this approach of giving away bad art that’s no longer your style, it isn’t a good way to market yourself. You really should be publicly showing art that represents who you are…not some former self. So if I can’t get a tax deduction and I’m not gaining anything as a marketing benefit, is donating bad art really a benefit to me the artist?

I really don’t know the answer to this conundrum. I guess in the end, releasing outdated pieces from the heard, is probably requires a combination of many methods. Until I figure out what to do with the culled pieces, I guess I’ll just have to hang on to my bad art.

The process

parakeetsTomorrow is December 1. Sorry for being cliche, but “Where did the year go?” They say this phenomena seems to happen more as you get older. Days just whiz by, then swoosh you’re another year older.

My mission for December is to finalize a plan of attack for 2017. There are a couple of major shows I want to enter and a number of ideas that I plan to take action on. And of course, I need to keep creating new art pieces as I prepare for my solo show in 2018. Seems a long way away, but I’ll need about 30 pieces for that gallery space. I definitely have lots to think about.

This past Monday, we had the Open House at Campbell House Galleries. Sharon and I greeted our visitors while working on our art. I started working on another Carolina Parakeet piece. This one is small (12″ x 12″) and I’m using it to demonstrate some of my techniques.

To me fabric alone always looks too flat. Someone on Monday referred to it as looking like cartoon cutouts. I agree. It needs something else to give it rich dimension. If you look closely at the photo, you can see how the bird and branch in the lower right has more depth, than the bird and branch in the upper left. I’ve created the dimension by coloring the fabric with Prismacolor pencils.

Of course, if you’ve been following my work you know there’s more to my work than that. I always add thread to increase the level of interest and depth. I’ll show you more of the progress as I go along, because I thought you might be interested in seeing the process.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016

Holiday Art & Jewelry Sale – Friday, December 2 — (9a-5p) & Saturday, December 3 — (10a-4p)
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

Be thankful

Tomorrow igallery_whitefireplaces Thanksgiving day! Although, I try to be thankful every day, Thanksgiving is a celebrated day of reflection.

Our show at Campbell House is still hanging. We have an Open House scheduled for Monday, Nov 28 and a gallery sale on December 2 & 3 (see details below). I’m grateful that this exhibit is hanging for an extended period and that there are many options for people to visit. Looking at the pictures of my art hanging along side the artwork of my friends, I’m reminded of this journey I’ve been on.

gallery_whitedoorwaySeveral years ago, I was in turmoil. I wanted to be an artist, but didn’t know what that meant. People told me that I already was an artist, but I didn’t agree. At that time, I had a specific grasp of understanding about this label. In my mind, an artist was someone who created original ideas and they also hung their artwork in “art” galleries.

As I step back and look at this exhibit, I can reflect on the journey and how I got here. I can see that my artwork portrays original ideas and hangs in art galleries alongside “fine art” paintings. I’ve created the persona that I was striving for so many years ago. This journey wasn’t easy and there is still a road ahead.

gallery_brown_windowAlong the way there where so many people who influenced me, helped me, and believed in me. That’s ultimately what I’m thankful for this weekend. I’m also thankful that I didn’t give up. I may have gone on some detours, but I always got back on track. I believe that spirit of never giving up comes from those who are no longer with me on this big blue marble. They set the mold, pushed me out the door and then stepped away. It’s all part of some giant plan that continues to unfold.

I’m also thankful for having the ability to share this journey with you. My hope in each of the personal reflections I share with you is that they remind you that you are in control. If you want it, then believe it and you’ll achieve it. Just remember to stop along the way to reflect and be thankful.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016

Open House — Monday, November 28 — (2-4p)
Holiday Art & Jewelry Sale – Friday, December 2 — (9a-5p) & Saturday, December 3 — (10a-4p)
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

 

In person

gallery shot of solarworship
“Solar Worship” [Osprey Wing] hangs alongside the artwork of Marilyn and Sharon in the Paper-Canvas-Cloth exhibit at Campbell House. (“Solar Worship” was inspired by a photo by Brady Beck
This morning I went to the Campbell House galleries to visit our exhibit Paper, Canvas, Cloth. It was a beautiful morning and I haven’t seen the exhibit since the reception almost 2 weeks ago. Today, I took a lot of pictures from every angle and it gave me chills that this is real.

Today reminded me that I’m on a journey that’s continually evolving. Each step I make I can look back and see how much I’ve learned. I can also see how much I’ve grown.

Sometimes it’s embarrassing talking about yourself, because you may sound too boastful. But if I don’t tell you (a stranger or friend) that I have an art exhibit down the road…you probably would never get to see it. I’ve put a lot of time and energy into this and it means alot to me to share it with you. I hope you enjoy these snapshots and if you have the opportunity, please, come see it in person.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

Where they take me

galleryAnd so it goes, “Paper, Canvas, Cloth” is hung. The artist reception is over. Now I need to step back and take time to breathe. Between now and the end of the year, I’m re-grouping to decide “what’s next?”

I’ve been working on this exhibit pretty much non-stop since August. I haven’t had time to pursue other opportunities. In some ways, it’s been a tough year. In other ways, it’s been a rewarding year.

I’ve felt some negative blows the last couple weeks, but I’ve also had positive affirmations. It’s time to explore all those things I’ve been putting off and see where they take me.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

Native plants and animals

dsc_0003_adj_webToday I hung the show “Paper, Canvas, Cloth” at Campbell House Galleries. This has been an amazing journey for me. The show is a collaborative effort between me and 2 friends. Our styles are quite different, but the theme of our art works well together. We each appreciate the beauty of nature.

On this journey, I’ve realized I have a pretty strong artist voice. I really love making nature-inspired art. I also love the challenge of making an art piece which expresses a concern for the environment, but I don’t want it to scream environmentalism.

“Silenced” is all of this. This piece features Carolina parakeets, the only indigenous parrot in the United States. These colorful little birds would form huge flocks near bottomland hardwood forests and were listed officially as extinct by the American Ornithologists Union by 1939. The species decline was apparent in the 18th and 19th century and was attributed to deforestation. Vigorous flocks were still noted in the late 1800s, but the bird had virtually disappeared by 1904. The reason for this rapid population decline isn’t known, but hunting played a significant role. They were hunted for their beautiful feathers and to reduce predation of crops. Their flocking behavior made easy killing, because they would return to the vicinity of dead and dying birds. The final cause for it’s rapid extinction is speculated to be poultry disease, but there is no evidence to prove that.

As humans, we are constantly altering our environment to better our lives. I hope “Silenced” reminds the viewer of the natural beauty around us and also shows how fragile our world is. While making this piece, I wondered how do we rationalize our communities continually growing and creeping into natural landscapes. Something usually has to give and that something always seems to be native plants and animals.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

 

Kindness and no regrets

sunflower2And the count-down is on. A week from Friday my exhibit opens at Campbell House Galleries. This week I’m wrapping up the final details: framing the last few pieces, installing new hanging slats to the large pieces, and adding labels to the newer pieces. Once this is completed, I will be photographing all the quilts.

This has been a very interesting process for me. I’ve always said that I love to learn…I thrive on learning… and I’ve learned a lot about myself this year. Preparing for this exhibit has reminded me to keep moving forward. I know I  will continue to grow as an artist and I’ve already thought of ways to improve some things. Yet, there are a number of things I still haven’t figured out. Therefore, I will continue to learn and that’s what makes everything so enjoyable for me.

Any free time I’ve had this summer was devoted to studio time. So I didn’t have time for some of the opportunities I’ve been considering. Once this exhibit is hung, I will take a short break to re-energize, then I’ll be tackling the many ideas I have in my head. What I’ve learned during this process is to always keep moving forward. Sometimes that can be as simple as just putting one foot then the other. Moving forward also requires having the strength to only look back with kindness and no regrets.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller

Very pleased

prairieflowersontthewing_webI am 3 weeks from hanging the show “Paper, Canvas, Cloth.” Realizing I’m a little bit light on small artwork, I’ve been trying to make a few more things. I’ve allowed myself the time to work on these last minute details. I’m very fortunate to have a supportive husband and employer who allowed me to take this much needed time off from my regular responsibilities. I’m feeling confident about where I am right now. Thankfully, I’m not pushing myself into a last minute frenzy…I hate that feeling. Since I’m the rookie in this exhibit, I’m thankful to be working with 2 pros. We all know what’s expected of us and we’re getting things done with little to no stress. I love this about my friends!

My cohorts in this show are considered traditional artists and they are experienced framers. Their work is always framed beautifully to showcase and complement their art.

Art quilters don’t normally frame our work. Art quilts are usually hung with a rod through the back, reminiscent of tapestries. In an exhibit of all art quilts, this is fine. However, in a fine art gallery show where the quilts hang along-side framed artwork, the quilts don’t command as much respect when they hang on a rod, especially the smaller pieces. As my dear friend notes, the quilts “look like potholders” on the wall. I also think a framed piece makes more sense to a buyer. They know how to hang a frame on the wall, but they’re not so sure about hanging a “tapestry.”

Last week my task was to frame my smaller art quilts. It took me a couple months to figure out exactly how I was going to do this. I wanted the style to be “neutral,” something that would work with most any decor. I also wanted the framing to look a bit modern, not too stuffy. I decided to go with floating frames. With the help of Eye Candy Gallery in Southern Pines, NC, I got the job done.

With floating frames, the art is supported from behind with a small gap between the outer edges and the frame molding. The art appears to float within the frame. I must say the end results are more than I could have imagined. I’m very pleased.

 

Join me for:

Paper, Canvas, Cloth
November 4 – December 17, 2016
Campbell House Galleries, Southern Pines, NC
featuring the work of
Sharon Ferguson, Marilyn Vendemia, & Nanette S. Zeller