Mixed Media – NanetteSewZ

Just a pretty design

Things are always changing. We have to adapt, stay stagnant or perhaps (in some situations) perish. Making art is the same way. We all get stuck sometimes. If my goal is to enter an exhibit and have my artwork seen or purchased, I have to make something that is worthy of the honor. I can’t slop something together last minute and expect high honors. Maybe we can get lucky a few times, but the luck … most likely … won’t last.

All things change, including ourselves. Our creative practice will grow and mature as we do. Sometimes they’re scary leaps and other times, they’re gradual progressive changes. If you keep your projects around long enough, you’ll see the journey. What you once thought of as good, you may not value the same in the future.

Frequently, I make things and decide I don’t like them anymore. Maybe a piece was an experiment, something from a class I took (or taught), or even something that once hung in a gallery exhibit. I find it wasteful to throw them out, but do I keep them ALL?

The fabric postcards I make are a reflection of this journey. I slice, dice and reassemble the textile pieces to create new patterns, then cut them up even smaller to make postcards to share with others. For me I see the deep stories of my journey, to anyone else, its just a colorful design.

Higher Plane

I’m in a transition state this week. Last month, I completed a couple of projects and now it is time to move forward with creating some new artwork. I started flipping through photos and found this tree quilt, “Solitude,” which I made in 2011. It is one of the first art quilts I ever made. I really like how I completed the background. It is a quilted whole-cloth design with an appliqued tree. After quilting, the fabric was painted with gesso, then layers of paint colors were applied with paint rollers.

I’m looking at how I handled the background and I’m still fascinated by the technique. I need to revisit this process. It was pretty intense to create. I used regular craft paint, so this quilt is stiff. I need to try it with fabric paint.

My brain is flooded with all sorts of stories about it. I remember creating it, exhibiting it, selling it and now I’m inspired by it again.

There was a time I didn’t like looking back at the pieces I made. I don’t know about you, but sometimes I can be overly-critical about my art. That’s the perfectionist taking charge. A fun way to re-direct this thinking is to image the thoughts are coming from a mischievous little pixie who whisper in your ears. You could believe them or you can just ignore what they have to say. This is part of the journey. To overcome negative self-talk, we first need to recognize it is there then decide to ignore it.

I’ve come a long way since I made this quilt. I realize now that they all can’t be master pieces. Each is made by my hands and nothing hand-made can be perfect in every way. So it is important to let go and accept where you are. As humans we are forever metamorphosing, so we can value each step along the way as a learning process. It is all part of moving to the next higher plane.

Anything else

If you’re a creative person, here’s an interesting question to ask yourself:
Why you do what you do? Is there a reason you create?

I don’t know if I can clearly answer that…but it is something worth thinking about. For me, its almost like I have to. I’ve been doing it all my life. I can’t remember a time that I wasn’t mentally gravitating toward art. As a kid it was crayons, paper mache, drawing … oh goodness, let’s be real … I was into anything I could get my hands on. I just loved making things.

As an introvert, I find comfort in the creative process. I can escape and entertain myself for hours. I know my mom encouraged it when I was a kid, maybe because I would keep occupied and out of her way.

I also think of the generations before me. The one’s I knew were also creative … sewing, crocheting, wood working, drawing, writing, etc. My siblings also have the “bug” but haven’t pursued it like I have. Maybe for my family it is just a genetic trait? But, aren’t we all born creative at some level? As we grow older that’s when our creativity starts getting squashed. Life gets too busy or we have self-doubt.

I guess if I ponder the question, I believe my creativity is some sort of magic. I get an idea, say “what if…” and then watch what happens. When the project is complete, I’m in awe that an idea manifested into something tangible. The results aren’t always what I expected … good or bad. Sometimes it needs to tucked away for later renewed inspiration. Other times it needs to be cut into pieces, repurposed or scrapped.

But, I’m always thinking “what if…” and ultimately, I don’t know how to be anything else.

A special honor

The Messenger is on another road trip. He arrived in Herndon, VA last week ready to be hung in the Sacred Threads exhibit July 14 – 24, 2002 (just 2 short weeks).

This is the 3rd time my work has been accepted into this very special show. You’ll understand why when you read the description from their website:

“Sacred Threads is an exhibition of quilts exploring themes of joy, inspiration, spirituality, healing, grief and peace/brotherhood. This biennial exhibition was established to provide a safe venue for quilters who see their work as a connection to the sacred and/or as an expression of their spiritual journey.

The objective is to create a dignified exhibition of artwork that touches on both spiritual and personal levels all those who view it. We want to share with others the experiences of quilters whose stories may be a source of healing and strength.

Entries to Sacred Thread Exhibitions are juried in by images for purposes of space and suitability of theme only. Works are not judged.”

I want to thank all the volunteers who make this wonderful exhibit happen, without you this exhibit would never be. To have my work selected, is truly a special honor.

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If you’re in the area, please find some time to visit:
Sacred Threads will be July 14-24, 2022.
Floris United Methodist Church, 13600 Frying Pan Road, Herndon, VA 20171
Hours:
Mondays – Saturdays: 10am – 5pm
Sundays: 1pm – 4pm

What shall I call it?

Lately, my heart has been feeling heavy. There’s too much uncertainty and chaos in the world. Most of the worries are out of my control. I know I just have to be patient and watch it all play out.

So I step away from the news to find some peace. That’s what I’m trying to do anyway. My ever present comfort is the bird feeder in my backyard. I can see if from every window on the backside of my house.

I’ve been observing the summer birds arriving and hanging out again. They’ve been away for awhile. The red-headed woodpecker is back. And this morning, I saw a male and female pair of summer tanagers. The indigo bunting was here this week too. And, oh yes, the sweetness…this season’s first bluebird nestlings are almost fledged (ready to fly).

This is where to focus when you’re heart gets heavy. Stop, listen, and watch the birds. Maybe even be inspired to make a new quilt. What shall I call it?

Allow space for things to happen

The past few months, I’ve been working in front of my computer. At times, it felt like slow movements; a nagging … “get it done, get it done.” At the same time, I was reading books and paying attention to how I felt. My feelings were: why the hurry? Give it time. Don’t rush it.

“Don’t rush anything. When the time is right, it’ll happen.” – Anonymous

I’ve been trying to give myself space. I didn’t make my mental deadlines public, because I wanted to work in a comfortable way (yes, those deadlines kept changing). I didn’t want the added burden of external expectations. I’ve done that before and failed. Creativity isn’t a place to rush. However, it is a place to attend to.

I could have literally spent 8-10 hours a day working on producing my next online class. Instead I gave it time to process. Since the time I started working on this (yes, its been awhile), I’ve run into technical and software issues. And, the online hosting platform I was using announced they were shutting down. (Stop. Re-group. Time to go down a rabbit hole of research.) Disappointment and hurdles can slow you down.

I didn’t give up though. I just gave myself patience and space. If it is meant to be, it will be. Breathe.

There have been times that I pushed myself to perform and found my health was affected by it. I’m older and don’t want to live like that. I think many people are feeling this way. Covid gave us all a time to really slow down. Now as things are returning to normal, many of us don’t want to go back to our old ways. It’s Ok. Its actually healthy to step off the treadmill and meditate.

Above all, it is important to be aware of how you feel toward what you are doing. Step back, check in, and reflect. Is it important to you? If yes, take time for it. If no, then let it go. Along the way, remember to be kind to yourself. It’s ok to allow space for things to happen.

What you make others see

Recently someone asked me “What does it mean to you when someone says ‘artist’?” I thought I knew, but then as I thought some more I questioned my ingrained beliefs. My first thought was a creative person, but is that really what I thought? I have always been a creative person, but there definitely was a time that I truly wished I was an artist!

I think society leads us to believe that a true artist is much grander than just someone who creates. I’ve definitely remember carrying the imposter syndrome with me when I’ve attended some art shows. I’ve have felt a level of snobbery when someone looked at my art work, turned up their nose and walked away. I have even experienced rejection from art guilds which outwardly excluded certain media (e.g., photography or textiles) from their exhibits.

I guess this is why I’m so proud of Bisa Butler and her textile portraits. This past year her colorful fabric portraits hung in 3 gallery rooms at the Art Institute of Chicago. Her work proudly displayed near artwork of the world’s masters, Matisse, Rembrandt, Picasso, Kahlo, etc. Bravo for breaking (many) barriers!

So is it the media or the perceived skill level? Some might argue that Jackson Pollock didn’t use skill making his paint splattered canvases. But, Pollock is a highly regarded “artist.” So perceived skill is not what it takes to make someone an artist.

Another issue is that many people think the word “artist” means painter or visual artist. When people ask me what I do, I tell them I’m an artist. Do you know that a good majority of the time their response is “What do you paint?” Hmmm? What limits their view? Why aren’t they including musicians, potters, photographers, authors, cooks, etc?

Awhile back, I wrote about the limitation of classifying an artist based only if they sold work or not. Using “professional artist” as the definition is another argument that has little value in defining the word.

Its a lot to think about, but my lesson is that we must embrace and encourage a wider view of the word. As a dear friend said, there’s a spectrum to all of this. We have big name artists who we recognize as masters and a range of artists that are lesser known. There’s also the artist that no one ever thinks of or knows; the one who creates amazing art and never shows it to anyone.

I guess there never will be an agreeable definition, but I say embrace them all because:

“Art is not what you see, but what you make others see.” (Edgar Degas)

Process of learning

Part of what I have to do to create my artwork is to take photos of birds. I have some drawing skills but not enough to feel confident about drawing freehand. My college education is in wildlife biology. So, I personally like what I do to be as accurate as possible in representing the species I’m featuring. This is why I rely on a camera so much.

The screech owl piece I finished last week was generated using this photo as a starting point. I took the photo during a public event for an animal rehabilitation facility. These events are great ways to raise awareness and money for the organizations. But, they are also great opportunities to get photographs of animals you may never see in the wild. You don’t even have to be that great of photographer or need a fancy camera. This photo was taken using my cell phone.

Judges/jurors of art shows don’t take to kindly to artists submitting work where a photo by someone else was used to inspire the art (yes, even if the photographer gave permission). It falls within the messy business of copyright law. Copyrights are a tricky thing. This is why I’ve decided to source my own reference photos.

Its just another layer to the art I create. I have to practice/improve my photo skills and seek out opportunities to capture the images. It is all part of the process of learning.

Tenacity to Embrace Fear

Between the holidays and trying to complete several projects, this has been a full month for me. I mentioned a few weeks ago that the company which hosted my online classes is closing down in April. I’ve been thinking about what to do next. I’ve been researching different platforms to work with and I’m pretty sure I know which one I will choose.

February is going to be a month of catching up and creating things I can share with all of you. I was asked to join 3 other women for an art exhibit next year. So I’ll be in my studio creating art. I was honored to be asked to join these women. We all work in very different mediums, so it should be interesting to see the results of our combined efforts.

Over the past couple months, I have had several ideas for working in a series. This exhibit opportunity will give me a reason to work on what has been flying in my head. I received grant money last year to purchase a new camera. I am using the camera to photograph birds to create a bird textile art. The screech owl here is my first piece in the series…(note: you’ll be seeing more of him this year).

You probably can see that I don’t like monotony. I always want to try new things and grow. However, the older I get the more I realize that its difficult to stay on one path too long. Life is always throwing zingers. It is hard to look back to a year ago and realize all that I was doing then is very different today. You have to be ready, flexible and willing to face the uncertainty. That’s why I titled this new owl piece “Tenacity to Embrace Fear.”

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See “The Messenger” at
5th Annual Birds of a Fiber Exhibit
January 27-February 28, 2022

Pacific Northwest Quilt and Fiber Arts Museum
703 South Second Street
La Conner WA 98257

Never one way to do anything

Last month in my newzletter, I explained my desire to engage more with my readers who don’t live in my local area. For a variety of reasons, this year has really grounded me to my local community. I exhibited locally this past June and have been focusing on teaching live workshops at a local creative space. My blog posts tends to be more about the mental/emotional aspects of being a creative. I don’t usually show too many how-tos here. I’ve been thinking maybe I should change things up the next few weeks and see how you like some occasional insight into my process.

So … let’s talk thread painting… one of my favorite things to do. The butterfly image is an example of a before and after of thread painting on a fabric known as “quilters cotton”. Quilters cotton is fairly lightweight and flimsy. And if you’ve ever tried to sew on it, you might notice that it starts to draw-up (pull in). You may even notice that the stitches don’t look very neat. So how do you apply such dense stitches onto this fabric without making a mess?

Stabilizers.

By definition a stabilizer is “a thing used to keep something steady or stable.” With lightweight fabrics we need to add something to the fabric to make the material more “stable” and less likely to draw-up. What’s fun is we have lots of options to choose from.

Interfacing: This material is attached to the back of fabric (or between 2 layers). Most commonly they are used in clothing construction to stiffen shirt collars or cuffs. There are interfacings that need to be sewn in and others that have a heat reactive (fusible) glue on the back that can be ironed in place. Every thread painter has their own preference. My go-to is Pellon 809 Decor Bond (fusible). It’s fairly stiff material giving me plenty of support and I can easily remove the excess material from the back of my work.
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Quilt batting: Think of the thread painting as dense quilting. Fuse or pin the batting to the back of your work and stitch. You may get more draw-up with batting than other products, but it has the bonus of creating a 3-dimensional (trapunto) effect.
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Canvas: A dense cloth used for boat sails, tents and painter’s canvases. Needs to be pinned or fused to the back of the fabric and draw-up is very minimal. It’s challenging to remove any excess, so plan to leave it in or add extra to stretch the finished thread painting onto a stretcher bars to make a finished art piece.
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Stiff Interfacing: A very dense, thick non-woven polyester material that does not flatten or distort with steam, example Peltex. Used most commonly for crafts, like purses, fabric postcards, etc. Used when you want a really rigid finished project.
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Embroidery hoops: Yep! just like the ones hand embroiders use. It’s common to find hoops that are 1/2″ thick in the hobby stores. However, the foot of some machines won’t raise high enough to get the hoop under it. I’ve find 1/4″ thick hoops work with any machine. Hoops that are 12″ wide (diameter) work best for most sewing machines. Note: when you use a hoop for thread painting, you want to the fabric in the hoop to be in contact with the bed of the sewing machine. Look at hooped fabric, one side looks like a drum and the opposite side looks like a tray. When thread painting, the tray side is facing up when we stitch.

I always encourage everyone to experiment. Try new materials and look at your results. Which do you like? There’s never one way to do anything.

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Want to learn more about thread painting? Take my online on-demand course Paint with Thread to learn how. Learn at your leisure, with unlimited access to the materials.