Nature Inspired Art – Page 15

All pieced together smoothly

So its time for me to start a new art quilt. I guess you could say that I’ve been working on this one for over a year already. I was inspired to make this during a visit to California I made almost exactly 1 year ago.

As with all the art work I make, this one is not going to be a “cookie cutter” design. I’ve decided to do some piecing of the background this time. Trying to get the fabric to have this curve (see photo) took a bit of effort. I had to sneak back to my sewing roots and experience in traditional quilting. Oh dear, I even needed to match seams when I sewed the wedges together. The process of making this quilt top reminded me of how much I don’t love this part of quilting.

Thankfully, I had enough fabric to accomplish the task and extra thankful that I didn’t make a mistake cutting. Yikes! Its not easy for me to buy fabric here in this little town. If I ran short on fabric, it would be weeks before I could move forward on this project. Or I’d have to re-group on the entire construction concept. Lucky for me, it all pieced together smoothly.

A lifetime to complete

My art quilts contain layers and layers of process. I know it looks complicated, because it kind of is complicated. I find I get stuck between stages. Frequently, I’m not sure how to proceed with an idea that’s in my head.

I had that problem with this quilt (which hasn’t been named yet). The idea came to me sometime before the spring of 2013. I know this because, the inspiration photo that was taken March 23, 2013. About a year later, I also took some staged photos of a pine cone. However, I’m pretty sure I was inspired to make this quilt long before I took the photos.

I have evidence that last summer (June 2017) I started experimenting with the design elements. However, I don’t think I actually started making the quilt until this past fall. Until last fall, I was thinking about it, but hadn’t shown much action. So when should I say I actually started the quilt? When the idea hit and the years I spent thinking about it? Or, was it when I actually started putting the idea into fabric?

I have photographic proof that I was working on the quilt in October 2017. However, in July I know I was at a fabric store looking for the perfect “pinestraw” fabric. So did I start in October? or July?

I know from October until now, I hit 2 major stumbling blocks. One stopping point was when I had to figure out how to quilt the pieced top that I created (the background fabric and pinecone). The other pause was after I quilted the piece and needed to decide how to add the “pinestraw” in the foreground. Each pause took weeks (months) to get through. So should I count all this thinking when I add up my time? I don’t know. I mean thinking about it isn’t an active stage of progress. Or is it?

What I’m trying to say is that, for me, its difficult to say how long something took to make. If I use the inspiration photo as my starting point, then it took me 5 years to complete. If I use the actually quilt making process, then it took me about 5 months. But, If I use the actual labor hours as my guide, then its probably taken me about 40 hours.

Realistically, I tend to like to look at it differently. I believe I must consider all the years I studied art, sewing, quilting, photography and nature. Without all that study time and practice, I wouldn’t have any of it. So, if you ask, I’m going to tell you that this quilt took me a lifetime to complete.

I’ve been published!

Quilting Arts Magazine
Dec17/Jan18
Cover Artist
Click Here to Get a Signed Copy!

Waiting for some realism

On October 25, I posted a photo of my Eastern Towhee in progress. I start with a basic line drawing which I use to cut out the fabric pieces and fuse them to my background fabric. I hinted that there was more to the process. Today I’m going to share that with you.

The one thing I’ve noticed about most fusible applique techniques is that the pieces look flat and cartoon-ish. I’m far from being a realist in my artistic style, but I do crave more realism in my work. In life, objects aren’t 2-dimensional, they reflect light and shadows. That’s what I want to see in my design.

A few years ago, on a whim, I decided to take a Prismacolor pencil drawing class from a local artist and friend, Frank Pierce. I enjoyed the class, but didn’t think I’d every use what I learned. Then, I had the ah-ha moment of, “I wonder if I could use the pencils on fabric?” That started me on a mission of exploration. These colored pencils gave me a tool to add the shading I was looking for. But as with any discovering, I realized there was more to it than just coloring. If you want to know more about my specific process, then you might want to pick up a copy of the Dec17/Jan18 Quilting Arts magazine. There’s an article in there where I explain the techniques I use. I’m pretty excited about the possibilities of using these pencils in my art.

This little bird still isn’t finished. There’s some stitching that needs to get done, but I’ll share that later because right now I have another bird in the works waiting for some realism.

See my work and discover my process of “Creating Highlights & Shadows”
Quilting Arts Magazine
December 2017/January 2018
available book stores or online at Interweave Press

The right answer to “how?”

I’ve been a long time subscriber to Quilting Arts magazine. Over the past decade they have truly inspired me to pursue my artistic interest. This past week I received my Dec17/Jan18 copy of the magazine. It’s always a surreal moment when you see your artwork in print. The honor is even greater for me this time, since I’m such a big fan of the publication.

All of this is about taking a leap of faith. That’s what I truly hope to inspire in other people. If you really want something don’t say “can’t.” Try to come up with the answer to “how?”

This idea has long been in my head, but it took several things to push me over the edge. One thing that happened was I met Lea McComas while I was at Quilt Festival in Houston about 2 years ago. I knew who she was, had admired her work, and saw her a number a times during my visit at Festival. On my last night there, I went to dinner with my sister and a friend and had to use the restroom. Lea happen to be in line waiting and we started chatting. Just casual chatter. On our way back to our respective tables, she asked me “Why haven’t you published?” I know I came up with some excuse, but our conversation hit a nerve. When you’re at these shows, its interesting how random encounters become meaningful and inspiring events.

I really don’t know why Lea asked the question, but it hasn’t left me. I even jotted her question down on a piece of paper and tacked it to a bulletin board in my studio. I wanted to be reminded. At the time, there really wasn’t a good answer to her question. But her question left me pondering my personal barriers and eventually finding the right answer to “how?”

See my work and discover my process of “Creating Highlights & Shadows”
Quilting Arts Magazine
December 2017/January 2018
available book stores or online at Interweave Press

Put yourself out there

It has been over 10 years that I began reading Quilting Arts Magazine. It has always been my bucket list dream to grace the pages of this inspirational publication. I came close in 2012, when my pet portrait of my dog “Storm” became Mr. September of their calendar.

Since then, I pondered to myself, what do I have that’s worthy of their reader’s interest. I use a lot of tools to create my art, but everything felt ordinary. A few years ago I began experimenting with Prismacolor pencils on fabric. I was so impressed with the depth I could create (my piece “Silenced,” on my home page, was enhanced using them).

I’ve been asked several times by artists I admire, “Why aren’t you publishing?” I had no answer. Early this year I decided to take their challenge and submit a proposal to Quilting Arts. To my joy, they accepted. This summer I wrote the article and created the supporting artwork, I’ve been waiting to share the news since July.

Having worked in the publishing business for many years, I was always told don’t talk about it until its in print. Anything could happen along the way. Today I got the OK to share the news, but to my surprise I get to share even bigger news. My summer tanager gets the limelight as the cover artwork. I cannot explain how amazingly surreal this is. Dreams come true when you put yourself out there.

See my artwork at your local newstand
Quilting Arts Magazine
December/January 2018

How this goes

The heats on in the house, my winter clothes are now in my closet, and the leaves are starting to change color. Its fall and winter is heading our way. I love this time of year, but as I’ve gotten older, I don’t like the winter darkness as much. Seems like as soon as it gets dark my body clock tells me its time to sleep. That’s not a so good for 5:30pm.

This month my goal is to catch up on some things and prepare for the upcoming new year. This is more of a challenge given the shorter days. I read an article this week that talks about how we allow other things to filter into our daily agenda which take us away from other things we should be doing. It was interesting to read that I’m not alone on this juggle.

So between the diminished daylight and tasks that need to get done, I plan to set myself up for success. For starters, I need to makes lists. I have a pretty good memory for my to-do list, what I don’t have is the ability to prioritize in an effective manner. My lists aren’t going to be so much about doing things, but more about what needs to get done next. We’ll see how this goes.

Creative journey

A few weeks ago, I shared a “sketch” for my newest bird in my songbird series (you can see it here). The sketch becomes the line drawing I use for making fusible applique artwork.

For those of you who don’t know, fusible applique is a way to glue layers of fabric together. The fusible product (aka web) is ironed to the wrong side of the fabric. Pattern pieces are then cut from the fused fabric and assembled on the background fabric. The assembled fabrics are ironed again to activate the fusible web and adhere all the layers together.

Fused fabrics are not meant to be a permanent way to adhere the fabric together. The fusible web can come loose with handling, which isn’t good for long-term stability. So, after the fabrics are fused they should be stitched in place to make sure all the layers are permanently joined together.

My fused applique Eastern Towhee, shown in the photo, could be stitched in place as it is, but I like to add another layer of interest before I do my sewing. I’ll show you that step in an upcoming blog post. So stay tuned and keep enjoying your creative journey!

Using up what I already have

I remember the family sewing kit. It was a big white plastic box with a tray inside. The tray had little slots to put your bobbins. There also were slots in the sewing cabinet drawer for bobbin storage. People were more frugal back then. A sewist probably had fewer than a dozen bobbins (I own 48 for my Janome Memory Craft 6500).

Back in the day, it was common to find a bobbin loaded with several different colors of thread. I mean, why fill an entire bobbin when you only need thread for a small job? So the sewist would add layer, upon layer of thread onto one bobbin. This isn’t the best way to manage your bobbins. Besides not knowing how much thread you have on the bobbin, the layers of thread can effect bobbin tension, thus effecting your stitch tension.

In my modern, less frugal life, I grab an empty bobbin and load thread on it every time I need a new color. Frequently, I don’t use all the thread on the bobbin, so I tuck it away for storage. Every once in awhile I realize I have a lot of bobbins with varying amounts of thread on them. I’ll also realize, that none contain enough thread to complete a job or they’re not the right color for the project.

My method of freeing up bobbins is to use them on my thread painting projects. In the photo you’ll see an example of the back of one of these pieces. Because I’ve set the tension right, the bobbin thread doesn’t peak through to the top so it doesn’t matter too much what color the bobbin thread is. I take a partially full bobbin, do as much thread work as I can until the bobbin runs out. Then I grab another one and use it up. I keep doing this until the project is done or I’m out of usable bobbins. There’s a lot of stop and go in this sewing process, but it is so helpful to clear up the partially-filled bobbin clutter. I also feel more thrifty because I’m using up what I already have.

Take time to listen

We’re living in unsettling times. There are so many things that seem uncertain, upsetting and chaotic. If we seek balance amongst the chaos, we have to look inward.

The only thing we can change is ourselves. So when dealing with troubling times, maybe its as simple as seeking a different perspective or just seeing the good things around you. Find the calm within you, because its there.

My looking inward has me focusing on the fire in my belly. What gives me motivation and inspiration? Answer: my art. I can sit here waiting for the uncertainty to resolve itself, or I can keep moving.

Right now, I’m working on a songbird series which brings me joy. To keep the inspiration going, I stop and make a bird between larger projects or when I get artistically stuck. Up next in the series is the Eastern Towhee. They make me smile when I see them foraging in my yard. The male bird tells us to “drink your tea” or some say he just says his name “Tow-hee.” Either way you hear him, just take some time to listen.

Gathered along the way.

In a couple days, we’ll be at the official end of summer. For me, it’s been a long one filled with a lot of good things. I got to spend a few days at the beach and I worked on an exciting professional opportunity. This opportunity presented me with 2 deadlines. One was at the end of July and the other was this week. I look back on the days and I’m proud of my accomplishments. High-five to me, I did it! I also realize I enjoy what I was doing. Now I have to figure out how to continue with this momentum.

Over the next couple months, I’ll be working to make changes with my professional journey. After a year+ hiatus from teaching, I’ve decided to get back into it. I’m going to be approaching it all differently this time. I want to share my enthusiasm for “art” quilting and encourage other’s who feel the cravings like I did when I first started this journey.

I’m going to use the motivation of my summer deadlines, to continue moving forward. Using the symbolism of my bee friend, I will continue to explore the possibilities while remembering to enjoy life’s nectar, to work hard on my goals, and to share the information that I’ve gathered along the way.