Little Secret

I have a confession. I sometimes wonder if I’m “cheating” when I make my art. In last week’s post, I shared progress on my newest artwork (a red-shouldered hawk). I used a similar process to create my little saw whet owl pictured in today’s post. Underneath all the thread work on this owl is a photograph printed on fabric. I left his bright eyes un-stitched and that’s probably why it looks so impressive.

I also ask myself that … this is all my creative work, so how is it cheating? I guess I’m remembering school day discussions of what is and isn’t art.

I took the photo of the bird at an avian rehab center I visited. I also had processed the photo, reducing some of the complexity, in Photoshop. And then I had to successfully print it on fabric. After all the prep work, it was finally time to add the stitching, which, I definitely does take a certain level of skill. After all the threadwork, I then had to complete the design by giving him/her a branch to sit on and, finally, finished it all with an interesting quilted background fabric.

My process is complex and takes a great deal of time to complete. I’ve been fine tuning my skills for many years. I think it’s Ok to sometimes doubt myself, but then I also remember why I shouldn’t. Instead of cheating, let me just call it our “little secret.”

Practice makes precision

I teach a “Paint with Thread” class. The class sample is really quite simple, but when you understand the basics of what I teach you can adapt the technique to work on more detailed projects. Here’s an example of what I’m talking about in the hawk foot that I’m currently working on.

I modified a photo that I took of a hawk and had the image printed on fabric at Spoonflower. I then chose about 16 colors of brown, beige, and yellow threads to fill in the design. In the photo, you can see a detail of the hawk’s claw. On the left is the printed image. On the right is after about 4 different colors of thread were stitched over the image.

I think it’s clear with this comparison, that the more colors you use in thread painting, the more blended and realistic the completed design looks. I have a few more hours of stitching to do on this piece, but I’m happy with where it’s going. There is no such thing as perfect, so I say “practice makes precision.”

A marathon, not a sprint

It’s time for me to start working on something new. My days are always a juggle. I am preparing for an art exhibit that opens in June. Three talented friends of mine (2 textile artists and 1 potter) are getting our work ready to show at the Arts Council of Moore County’s Campbell House Galleries.

It’s always exciting to hang a show. There’s a lot of preparation and pressure beforehand though. Over the past year, I’ve been creating new pieces specifically for this show. This is where the juggling comes in. You probably know that I’ve been teaching too. I find switching between these very different tasks works well for me. I can work several hours (or a full day) on my art, then switch to work on class prep.

Having this type of schedule the last few months has helped me realize the pattern is good for me. The skills are totally different mental processes. It does me good to walk away when I get a bit over-tired of one task. The down-side is I frequently feel like I’m moving too slow.

It’s interesting to learn how people work. For example, some people like to start in the morning and work through the evening, with few or no breaks. There’s also a well documented ultradian rhythm theory, that says humans are more productive if they alternate between 90 minutes of high-intensity work followed by 20 minutes rest (known as the Basic Rest/Activity Cycle – BRAC).

Our society seems to encourage us to power through everything we do. I know I frequently fall into this pattern, also known as: “Hurry up… it needs to get it done yesterday!”

Whether you’re working on your art professionally or for fun, do you ever think about how your work pattern impacts your creativity? It’s interesting to get feedback from others, but it’s more important to pay attention to how it feels to you. I definitely need to take breaks. When I don’t take them, I sense the tension building in my body…. and the quality of my work starts to decrease…which adds more to the tension. A wicked cycle of potential failure. This realization just means it’s going to take awhile to finish thread-painting this big bird. As they say, “it’s a marathon, not a sprint.”

Bee-done

We all have those days that we’re hard on ourselves. I’m trying to stay focused on what I need to do, yet be mindful that my expectations for getting things done may not always work as planned. Admittedly, I sometimes overthink things. And, although I may be recovering, there’s still that perfectionist inside of me critiquing the process. It’s a constant juggle of doing things well and letting go of when they don’t.

Source: Wikimedia Commons

I finally found a visual of my feelings most days; the one-man band. As a kid, I remember seeing a guy like the one pictured. I found him fascinating and fun. A traveling musician that is responsible for playing all the instruments of his mini-orchestra. I have such fond memories of watching him play.

Yep…that’s what I’m doing. I’m responsible for all the parts of my tiny enterprise and I’m trying to have fun. Eventually, all the little bits and pieces I’ve been working on fall into place and I get to acknowledge progress and bee-done.

 

Bee-kind to yourself

As I posted last week, I resolved my hexagon challenges on this new art quilt. With the edition of my latest design element, I hope it is obvious where I’m going with this. The little buddy needs some wings and the background (honeycomb) needs quilting. I’m almost there.

I feel like I’m moving in slow motion. I’m juggling many things “behind the scenes.” Unfortunately, they are things that aren’t really tangible items. I’m doing a lot of computer work, scheduling classes and prep work for the June exhibit. This upcoming week, I’ll be sharing some news that is a major new direction for me. I’ve been producing pre-recorded, on-demand classes. Now I’m ready to take the next step and do some live instruction on-line. More soon…

The thing is, I realize I’m still in this covid-funk. As much as I try to accept the current normal, the things I use to do aren’t the same. I have no desire to teach machine sewing classes in-person right now. It’s not that I don’t want to teach in-person … I am teaching locally, just not machine sewing. Moving forward with live Zoom-based classes will help me work through my mental process of changing focus. I’m looking forward to seeing where this leads.

Creative professionals are a silent statistic in this pandemic economy. Musicians, artists, and actors alike are grappling with their forward momentum. The gigs aren’t there and it’s uncertain when they will be. To stay viable, we have to find innovative ways to share and sell our art. The current “normal” is giving all of us a pause to self-reflect and possibly change direction. The momentum can sometimes feel slow, but there’s always that light inside that reminds us everything is going to be alright. Just remember “Bee-Kind” to yourself.

Stuck when creating

As I mentioned last week, I don’t work with a real “plan.” Maybe that’s good, maybe not. I have a vision or idea, and start working with stops and starts along the way. The following description is an insight to my creative process.

Over the past week, I attached the hexis to my background fabric and created an applique element that will go on top (you’ll see that next week). When I auditioned the applique on the hexis, it looked flat. There was no pop or interest and the applique didn’t stand out.

So, I auditioned some fabrics that I could lay in the center of the hexagons to give it a dimensional appearance. I found a loosely woven material in my stash, laid it on top of the design and stitched around each hexi shape. Then, I cut away the excess material. Tedious.

While I was stitching I noticed the there was a little pocket between the two layers of fabrics. I didn’t like that. I thought, I “should have!!” put Mystifuse on the back of the woven fabric. Then after stitching, I could iron it to adhere it in place. The problem … I didn’t use Mystifuse. Grumbling to myself, I kept on going.

As I continued to work, I thought about … “matte mediums.” I think of mediums as akin to Mod Podge but of higher quality. Mediums are acrylic liquids that can be used by artists to adhere collage material or used to thin acrylic paints. The word matte means there’s no sheen. If you wanted a shine, you would use a gloss medium.

Once the woven cloth was stitched in place and the excess removed, I then “painted” it with matte medium. This not only adheres the 2 layers of cloth, but also stops the woven cloth from unraveling. I succeeded with my vision and I’m ready for the next steps.

Although some people map out their plan, I like the challenge of not knowing. The vision drives me. Most of the time I can work around the obstacles. Usually what saves me is my arsenal of ideas. Mediums are not something quilters usually keep on hand, but other artists do. Because I have exposed myself to many different art techniques, my “toolbox of ideas” is full. And, my stash of supplies is diverse. Classes are a great way to learn new things.

I encourage you to take classes and experiment. Don’t be disheartened if you take a class and find you’re not good at it. You will likely always learn something new when you take a class. Understanding what you like and don’t like is part of the learning process. The more you learn, the more options you have. The bigger the tool box, the less likely you’ll ever truly feel stuck when creating.

As a new person

The last few days, I’ve been digging through my digital photos and I’m flooded with ideas. I love birds and I’m not in any short supply of inspiration. I can easily set up my camera and take pictures of my backyard (yes…every spring, the red-headed woodpeckers visit my feeders).

Where do you find inspiration? I think it’s important to look around you. I take a lot of pictures that inspire me. Looking back, I’m not always sure why I took a photo, but I knew the scene held my interest for awhile and I had to capture it.

Digging through my photos was a reflective practice. I was able to see where I’ve been and who I am now. What interested me 10 years ago is not the same as what interests me now. There are definitely common threads that have carried along through the years (e.g., birds). However, I noticed that there’s a certain level of refinement that has occurred.

We change with each new thing we learn and experience. These changes may be subtle, but over time the cumulative effects can be significant. Your source of inspiration is very likely to be changing over-time too.

It’s important to reflect on these changes, because they say something about what you like to do. If you’re doing something because you’ve always done it, that doesn’t mean that you enjoy doing it. It’s important to reflect on the balance between what you love to do and what you’re good at. I like to think with each new revolution around the sun, we are traveling as a new person.

 

Just keep going, no feeling is final

Today is the last day of 2020 … tomorrow it will all be hindsight (pun intended).

It’s been a challenging year and more so, a challenging month. Forgive my absence. I took some much needed time off to address a few issues in my home and now I’m slowing returning to normal daily operations. But, it’s still not normal… is it?

This year truly has taken a toll on all of us. Some more seriously than others. This time of year I usually reflect on where I’ve been and where I’m heading — but this time it seems more weighted than most. My next moves are being taken with caution. I can’t easily express my emotions and concerns, but I know I have to continue moving. I suspect you feel this too.

The 1st day of January, 2020, I was on a plane heading to an out of state wedding. I had 2 more trips before everything shut down in March. I’m fortunate for the good fortunes in my life, but I’m also sad for all that I’ve lost. I plan to do more self-reflection in 2021. This quote by Rainier Maria Rilke, reflects my feelings best:

“Let Everything Happen to you: Beauty and Terror.
Just keep going, No feeling is Final.”
~ Rainer Maria Rilke

Stay well and have a happy New Year!

Be thankful for all of it

Happy Thanksgiving!
This holiday is a reminder that we’re almost finished with this crazy year. YES!

Have you tried to look through your photos from last year? This photo was taken a year ago at a quilt guild were I was lecturing and teaching. Looking at it I realize this was the last time I did an in-person lecture.

I look back at my photos and feel bombarded with emotions. I was appearing on Quilting Arts TV and published in their magazine. I had work in an art gallery that was selling. I was teaching classes and lecturing. I was also feeling emotionally fit and physically strong. I was enjoying life traveling, going on vacation and seeing family (something I haven’t done very much in my life). Life was good.

If I could go back in time a year ago, what would I tell myself about the future. Although I’m sad about all the disappointments that happened this year, I can only think to say “be thankful.” I’m thankful for my health and a loving supportive husband. I’m thankful for my talents and passion for textile arts, because sometimes it’s the only thing that keeps me moving. I’m thankful I can continue to laugh, sing (not well…but that’s not the point!) and I can adapt to new situations. I’m also thankful for you! Thank you for continuing to read these posts and support my art. I appreciate you!!

As we reflect on what has been and what is yet to come, let’s be thankful for all of it.

 

 

Be kind to you!

Tenacity…is my word for today. The Cambridge Dictionary defines it as “the determination to continue what you are doing.” With just a few more weeks left, I think most of us could use this word to describe how we got through this year.

Over the last 8 months, I’ve had many conversations with creative friends about how we are surviving these times. Tenacious describes each of us. Sometimes it is as basic as the having motivation to get out of bed. Other times it is having the chutzpah to change direction, move out of our comfort level or learn new skills.

I can honestly say, I have many levels of motivation this year. I find the solution is self-care. It is OK to have a bad day, week or month. You’re not alone, we all have them. The tenacity comes from recognizing how you feel and, at your own pace, continue to move toward a goal.

What do you want? How do you get there? Even simple tasks can be broken down into manageable pieces and accomplished in steps to challenge yourself to move forward. Keep in mind, if it doesn’t go as planned, just start over again tomorrow. It’s OK if you move slow, you’re still moving. And, remember along the way to always be kind to you!

 

 

Want to learn more about me? Check out my latest YouTube video here: https://youtu.be/YK8XDXuBwQk