Find a new perspective

It’s clear to me that this new-normal is affecting many of us. I definitely feel a different level of anxiety. Things are clearly different than they were 2 years ago. It’s not just about my physical and mental health, there’s also external stressors like access to supplies. I can’t tell you how many things I normally use which have become difficult to find/purchase. Where I live, I frequently find empty shelves and it requires extra diligence to track down that thing I’m looking for. [Honestly, how many stores do I have to go to find my cat’s favorite food?]

Add to all this, the constantly changing procedures. As a teacher/artist, I regularly have to adapt to new policies. All the little things start to add up. Sometimes it’s easier to stay put, than venture out. For some (namely introverts), this might sound like a glorious opportunity to have more creative time alone.

Last week, I was battling this scenario. Do I cancel my trip and stay home or walk through the fire to travel. It took a lot of courage to convince myself that I must face the beast in my mind. I also had to make some modifications on what I was doing to allow myself some down time while I was away. It’s important to listen to what your body/mind needs.

I’m home now. While away, I put myself in situations that felt a bit out of my comfort zone. It’s been almost 2 years since I traveled out of state. I survived. In retrospect, being in a different environment was a healthy change for me.  I was able to come home with a new perspective and appreciation. I saw what I could have had and realize the fortunes I’ve created by taking chances along my life’s journey.

I realized that sometimes you have to step out of the box to see the jewels inside. When you get stuck, go somewhere else. It doesn’t have to be far. When you get there, stop. Listen. Be. Observe. Take mental notes. Sometimes that’s all we need to find a new perspective.

The Messenger

Have you ever had a feeling that you foresaw the future? The word for this is prognosticate, meaning foretell or prophesying the future. Every so often I observe this connection in myself. It’s a bit of a crazy feeling because I don’t tend to go around predicting the future. Yet sometimes I look back on events to embrace that maybe I had some subconscious premonition. Let me explain by first sharing my artist statement for “The Messenger.”


  • “Hawks are considered messengers from deceased ancestors, deities, or other guides. Their intense gaze earns them great respect. I met this red-shouldered hawk at a hunting and fishing trade show. Once able to fly, the injured bird was now tethered to its handler’s gauntlet. With strong hollow bones, wings, and feathers, its large body (lighter than you would expect) is uniquely adapted for flight. Yet, there it perched, staring at me, unable to escape its captor. How would the courier continue with its dispatch while shackled in this auditorium? I took its memory home with me and decided to help it flee. When you are ready, courageous Messenger, fluff your feathers and spread your wings. It’s time to share your revelations; be free.”
    – Nanette S. Zeller (June 2021)


The Story:

I realized a few years ago that I needed to take my own photographs to use as inspiration for my art quilts. I like using birds in my art, but lack the patience and equipment to take photos of them. So I “kinda” cheat, by visiting places that have birds who will be models for me.

In early 2020, I found this red-shouldered hawk (right) at hunting trade show. The bird was part of a local rescue which rehabilitates injured animals. It obviously was use to the attention of people and kindly (anthropomorphic) let me take it’s photo.

I wrote the artist statement after I completed the art quilt “The Messenger”. If you look at the photo, you could see what I was thinking about when I wrote the prose.

Flash forward nearly 2 months, I found myself at another event with a different rescue group (nc-claws.org). I was able to take plenty of new bird photos from this event (i.e., more art quilts coming soon). I learned that whenever possible this group returned the rehabilitated animals back into the wild. They were releasing a couple birds last Saturday and I was selected through a raffle to release (following some training) a red-shouldered hawk. Is that serendipitous, or what?

This is not the first time I’ve had precognition. I just don’t always understand why. What I do know this time is the red shouldered hawk is trying to tell me something because it once again is The Messenger.

What will you see?

Do you ever just lay on the ground and stare at the sky? Every now and then I lay on our deck and stare skyward. The decking is usually warm and feels good on my back. I relax. When I was a kid I use to play the game of trying to see objects within the cloud formations. Now I just like watching the clouds roll across the sky.

The simple act of looking at the world from a different angle can generate new ideas. When I look up from my yard, I am amazed at how many commercial aircraft fly overhead. Apparently, we live on a major bi-way for east coast air travel. I had no idea until I looked up at the sky. When I first noticed all the air traffic, I wondered why and researched it. My curiosity was spurred and I learned something new.

This fact was always above me, but I didn’t know until I looked at it. And not just glancing, but looking up with intention and stopping to pay attention.

If we want to be better at what we do, we have to seek new opportunities and listen to new stories. And above all be willing to learn. Learning new things can be as simple as looking at our world from a different angle. Look up. Walk slowly. Listen to the “silence” of the night. Peer close at the ground. Take a different road on your travels. When you change the angle of view, what will you see?

Freeing up space.

Mid-July! We are definitely in the dog days of summer. I try to get out a little in the morning, but by mid-afternoon I prefer to find activities to do inside. The other day I spent a little time sorting things in my studio closet. I really need to do some heavy sorting. Over the years, I’ve collected enough supplies that I could create new things for a couple years and still not need to go shopping.

I find it a bit overwhelming sometimes. What do I work on? I have many work and personal projects to consider. I think setting priorities for these projects are some of my hardest decisions. I want to do something fun, but I need to do something for a class, gallery or upcoming exhibit.  Oh, then there’s that project I just saw advertised in social media advertisement!! Wow … I would really love to do that too! Choices, choices.

The challenge is finding a balance between it all. It’s hard, but I’m doing my best to avoid shopping for new things. I have to really evaluate what I’m admiring. Is it a need or want? Will I use it? Should I save my money instead?
[Uhm?? Did I actually just write that? Did I forget about the 60-tube set of gouache paints I bought during the Amazon Prime Day Sale  — Sooo…Let’s just emphasize that I’m trying to be aware of what I buy.]

To me, unless there’s a specific need, acquiring new art supplies is another distraction.
But isn’t it fun to treat yourself to that pretty fabric, yarn or thread (or paints)? Yes! it is!!
What helps me rationalize my acquisitions is to lighten the load of things that no longer serve me.

Where I live, the schools face financial hardships. We’re fortunate to have a local arts council that supports music and art in the schools. So, on an on-going basis I cull my stash. Any art supplies I no longer need/want get put in a box that will be donated to the arts council for later distribution to the schools. I’ve met many creatively resourceful art teachers who love these grab bag style donations. And, I love the fact that I can lighten my stash and help enrich the life of a young student. If you feel burdened with your collection of things (or if you’re moving and need to down-size), maybe seek out charities in your community who would love to have the items you no longer find useful. Freeing up time to create, sometimes means freeing up space.

 

 

Creative brain

I spend a lot of time in this room. I’ve worked for myself for a long time and we purchased this big house so we each could have an office space. Sure beats paying rent for an office space somewhere else. Or, using the kitchen table as my cutting station. I know I am very fortunate to have this, but it’s not the space that generates work. If there is determination and desire we can create anywhere.

This winter we painted the rooms. “My” room use to have a dark teal color left by the previous owner. I loved it, but I love this lighter gray even more. The room color changes throughout the day. Sometimes the walls looks blue, sometimes green, and other times just gray.

The window faces my backyard which has tall longleaf pine trees and my bird feeder. Whenever I need a break, I can turn, look out the windows and see what’s happening outside. A short respite.

My brain is humming. The exhibit is closing and it’s time to start new projects. This room will get messy again, as goes the flow of my creative brain.

Holding you back

The “Cloth & Clay” exhibit at Campbell House Galleries closes next week. It’s almost time to take it all down and store it away for another opportunity. Why do I create? It’s because I have to. There is something in my DNA or maybe it’s just some off-kilter electricity in my brain.

I don’t remember a time that I didn’t create. I think my mom was blessed because as a young child all she had to do was put a new craft or book in front of me and I would be engaged for hours.

In high school, I was secretly embarrassed that I crocheted because that is what old ladies did. In college I had a classmate who, after I described my new passion for knitting, told me that I was “so domestic” [spoken condescendingly]. After graduate school I remember calling myself a “closet crafter,” because I didn’t want people I worked with know about my “non-professional” hobbies. These were my saboteurs.  Yet, I still would speed crochet an afghan in no time while watching tv at night. Now I’ll either knit or stitch to pass time. And, I focus deliberately on making textile art.

I’m still learning, refining and pursuing my skills. I continued even though some would have given up. For me it’s a passion, something in-grained. I want to keep learning and exploring. Even when I’m my own worst critic, I continue. What about you? Do you have a gut feeling about creating? Do you love making things? Would you call these skills your passion? Are you listening to your feelings and acting on them? Are you ignoring your critics (even the one in your head)? What’s holding you back?

How did they get there?

In less than a week, I will be delivering my artwork to Arts Council of Moore County’s Campbell House Galleries. I will be delivering 19 pieces. All together, Sarah Entsminger, Jenny Williams and I will have close to 60 textile pieces hanging in the gallery through June 25 (see below for details).

I always try to avoid last minute crunches. I plan things out to get things done little by little. I never, however, plan to be wrapped up 7 days early! I am this time. I have no idea how…

I keep reminding myself that the difference this time is I focused on making smaller pieces. Small pieces are more fun to do, but I don’t think the effort to create them is that much different than making larger pieces. I usually frame my small works so they don’t look like “pot holders” hanging on the wall. I modify stock frames so they look like floating frames, hand stitch the work to acid free foam core, assemble, then add the hardware and hanging wire. I do all of it myself, which is a bit tedious, but I enjoy the process. A few years ago, I had a local gallery/frame shop help me. They showed me how to do things the gallery way. Until then, I never knew there were certain ways to wrap the wire or distance to attach the rings. This year, I even invested in a point-driver tool to shoot “points” into the frame. Points are used in place of tiny brad nails to hold the foam core inside the frame. Details, details….

Each step of the way you learn and improve. I reflect back on 10-15 years ago when I first started showing my art. I didn’t know half the stuff I know now. I picked things up little by little. And I know there are still things I need to learn. If you want to grow, it’s important to learn from people who inspire you. Are they doing something you dream of doing? Then, ask how did they get there?

 

Cloth & Clay
June 4-25, 2021
Artist reception:
June 4th – 6-8pm
Campbell House Galleries, Southern Pines, NC
(click image below for larger view)

What’s holding you back?

The last few weeks I’ve been finishing up details for an exhibit that opens up June 4, 2021 (see below). I’m making the final selection, labeling, creating an inventory, and taking care of hanging details (frames and hanging rods). I’ve been working on this exhibit for 2 years. That’s usually how long it takes from notification until hanging. When you’re looking forward, 2 years seems like a long time. When you’re looking back it seems like seconds.

I’ve had high and low points during this journey. Always questioning and seeking the energy to keep the procrastination away. There were things that I made which I think were failures. But, nothing really is a failure is it? It may feel that way, but it’s not. It’s all part of the learning process.

As I look at the artwork that will hang in this show, I think back to 10 years ago. In 2011, I submitted a thread painted portrait of my dog to the Quilting Arts Magazine calendar competition. “The Perfect Storm” was selected to be “Mr. September” for their 2012 calendar. This was the first time my art had been recognized by someone outside of family and friends. I felt I was on to something; my artistic voice was starting to appear.

Over the last 10 years, there have been many changes. I have matured physically, mentally, spiritually, and artistically. The “failures” along the way where opportunities to learn and grow. If I didn’t have the failures, I wouldn’t be the person I am today. I also don’t think my art would be where it is.

My driving mantra … especially when I was ready to throw in the towel … is “never give up!” When what you do is a passion, you can’t give up, because passion is part of your soul.  And, how do you give up on your soul?

As I reflect on my journey, I’m thinking of you. Do you have a passion? Are you pursuing your dreams? What’s holding you back?

 


Cloth & Clay
June 4-25, 2021
Artist reception:
June 4th – 6-8pm
Campbell House Galleries, Southern Pines, NC

On this journey today

Change is inevitable.

I had a conversation yesterday with a family member which brought up some vivid memories. Due to life circumstances, the family life I had was different than my siblings. My brother and sister and their spouses all went to the same high school … and I didn’t.

As the youngest of 3, I moved with my parents into the city (Chicago) at the start of my freshman year of high school. Yesterday’s conversation reminded me of how important that change was to my future self. I started high school in a brand new school that was designed to be an arts magnet schools. I wasn’t recruited, but was just lucky enough to live within walking distance of the school, so I was in.

I joined the theater program doing all sorts of back stage jobs. My freshman elective was beginning band. I didn’t know how to play an instrument but quickly took a liking to the clarinet. From there I continued through the remaining 3 years in band classes, marching band, and orchestra (I still have my letterman’s jacket to prove it). And then in my junior year, I enrolled in my favorite class, “Chicago Where its Art.” Talk about mixed media exposure in those last 2 years. Drawing, painting, stained glass, architecture… you name it Mr. Erklin was teaching it to us. Wow!

After high school, I didn’t pursue art in college (except for a couple electives). I chose science as as my curriculum of choice.

And here I am now thinking back to the past, while I try to pursue a dream that maybe I should have started when I  was 19. In hindsight, it’s odd the way things happen. I believe, what’s meant to happen all comes around in it’s due time.  Had I not had these early opportunities of exposure to art in the Chicago Public School system, I probably wouldn’t be on this journey today.

 

There for a reason

This week I finished my hawk quilt. It’s been quilted, squared up and a facing added (instead of binding). Overall, this is a simple design; a bird on a branch. The fact that the hawk is 24″ tall is really where things got complicated. All said and done, I used 18 colors of thread to finish this piece. In my Paint with Thread classes, I teach the exact techniques that I used for this piece, except I significantly scale down the number of thread colors.

When I create my art quilts, I always use an oversized background fabric. Whenever you add heavy stitching (e.g., quilting or thread painting), the fabric pulls in and you wind up with a smaller piece than you started with. The amount of shrinkage correlates with how much stitching you add. At the end, I square things up, removing the excess fabric.

When I create, I go through various stages of anxiety. This is especially true when I’m creating for a deadline. Each step of the process supports the next, if anything goes wrong the outcome might lead to starting all over again. Hopefully, if the worse happens, I can develop plan B, but that’s not always the case.

Squaring up a quilt is anxiety provoking for me. At this stage of the process, starting over is not a welcome option. I realize the anxiety is helpful by making me hyper-alert and focused on the process so I do it correctly. Why? because if I do it wrong my rectangular quilt could wind up with obtuse angles versus right (90°) angles. Obtuse angles make the quilt look skewed and hang wonky or ruffly. I embrace the perfectionist in me during this process, because it will show if done wrong. I just have to remind myself to breathe, this anxiety is there for a reason.